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Motivasi dan Proses Penciptaan Tari Anak di Sanggar Tari Kembang Sore

机译:Sembang Kembang舞蹈工作室创作儿童舞蹈的动机和过程

摘要

The research was aimed to describe the form of presentation, to learn the motivation of children dance creator behind his works with animal theme, and to explore the dance creation processes produced by Kembang Sore Dance Gallery (STKS). The research performed at Yogyakarta on May-October 2007 in qualitative approach. Subject of the research: dance creator produced by STKS, dance instructor, dance wardrobe crew produced by SKTS, STKS members. Data was obtained technically by: observation, documentation study, and deep interview. The results show: Dance works produced by SKTS with animal theme was originated from idea expanding from the imagination of the creator to give the education about animal world to the early children, elementary school, and junior high school. On the other hand, to fulfill dance teachers request joined in children dance training to give teaching materials about animal worlds to the early children, elementary school, and junior high school. The dance work was categorized into new creation dance form. Creation process used creative process includes some steps they are, investigation exploration directly to the observation object, make improvisation trying possible movements can be expressed suitable with the movement characteristics of early children, elementary school, and junior high school. Sorting evaluation of the movements has been found was adapted with dance theme. Movement sequences created by STKS consisted of 3 components, namely a beginning movement that the moving sequences was improved in intermediate level, sitting movement that the moving sequences was performed in sitting (low level), and the movement after sitting that the moving sequences was performed in intermediate level. All of the components were combined into the harmonic unity, with the repeat of movement, rhythm, realized to give the variation and clarity of design from was shaped of several moving position. The movement dynamics consistent with the tap/accentuation of the accompanied music was arranged and using kendang directly drummed by Untung Mulyono. Person who listen the voice of tabuhan accompanied the dance at a glance will realize the East Java taste. The dynamics of the dancing movement united with the kendang dynamics was drummed by the creator, gives the dynamics and rhythmic tastes. Every dance movements he was created always followed by the kendang code, intended to easy in learn it. Dance wardrobe designed by Siwi and Reki in considering doesn\u27t disturb the movement, and the choice in bright color of wardrobe was liked by children.
机译:这项研究旨在描述展示的形式,了解儿童舞蹈创作者以动物为主题的创作动机,并探索Kembang Sore Dance Gallery(STKS)制作的舞蹈创作过程。该研究于2007年5月至10月在日惹进行了定性研究。研究对象:STKS制作的舞蹈创作者,舞蹈讲师,SKTS制作的舞蹈衣柜工作人员,STKS成员。数据是通过以下方式获得的:观察,文献研究和深度访谈。结果表明:SKTS制作的以动物为主题的舞蹈作品源于从创作者的想象扩展而来的思想,旨在将动物世界的教育带给幼儿,小学和初中。另一方面,为了满足舞蹈老师的要求,他们参加了儿童舞蹈培训,以便为幼儿,小学和初中提供有关动物世界的教材。舞蹈作品被归类为新创作的舞蹈形式。创作过程中所使用的创作过程包括一些步骤,直接对观察对象进行调查探索,使即兴尝试可能的动作能够表现出适合幼儿,小学和初中生的动作特征。对动作的分类评估已发现以舞蹈主题为基础。 STKS创建的运动序列由3个部分组成,即开始运动以改善中间位置的运动,就座运动(在就座状态下执行运动)(低位)和就座后运动(即就执行运动顺序)在中等水平。所有组件都被组合成一个谐调统一的单元,具有重复的运动,节奏感,从几个运动位置的形状出发,实现了设计的变化和清晰度。通过使用Untung Mulyono直接鼓的kendang,安排了与伴随音乐的拍打/重音一致的运动动力学。一眼听着禁忌之声伴随舞的人就会体会到东爪哇的味道。创作者通过鼓舞将舞蹈运动的动力与kendang的动力结合在一起,赋予了动力和节奏感。他创建的每个舞蹈动作都始终遵循kendang代码,以易于学习。由Siwi和Reki设计的舞蹈衣橱在考虑到运动的同时也不会干扰动作,因此衣橱中鲜艳色彩的选择受到了孩子们的喜爱。

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    Wahyuni, Trie;

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  • 年度 2009
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